Showing posts with label Buried Treasure. Show all posts
Showing posts with label Buried Treasure. Show all posts

Thursday, June 12, 2014

Buried Treasure 2014



My friend Seth Apter's annual Buried Treasure blog event is today, so I dug back into the archives (no mean feat when your blog is almost 10 years old!) to come up with this post that tells of a unique adventure I had while teaching mixed media, back in September of 2007. Without further ado, here's Adventures in Teaching!

Be sure to check out the other links on Seth's blog today-you'll discover a whole host of new blogs to love!

Wednesday, July 11, 2012

Buried Treasure 2012



Today I'm participating in Seth's Buried Treasure collaborative. I chose this post because it made me laugh and it's a good reminder that no matter how well intentioned you are, there are always going to be people who just don't "get it".


May 17th, 2006 
The Road to Hell...

So you know that assemblage I made last week to send to my Gram for Mother's Day? Well she got it and she called me this evening. First she asked me when she had given me the photos that I used. I told her about 9 years ago. Then she chided me for forgetting to write one of her sister's names on the border of the photo. I told her she had written the names on it years and years ago and I had just colour copied it to use in the piece. She told me she didn't remember that and then said she was mad at herself for forgetting one of her sisters. Then she goes on to tell me that stuff inside the assemblage is all loosey goosie and floating around. She tells me she was shaking it so she could see all the stuff inside and this folks is where I almost lost it. 

 You see, apparently, assemblage art is completely lost on her. She wasn't sure why I had put things inside the shadow box. I guess she didn't get that it was symbolic of things related to her childhood and our family...and yet she loved it. The part that really got me though was the shaking. I mean I wrote FRAGILE in big huge letters on the parcel. I had carefully wrapped it so the glass wouldn't break. I glued each piece inside the shadow box with the utmost care so it would stay intact. What I didn't count on was my Gram thinking it was some sort of toy under glass that you rattling the living hell out of. Thinking about it makes me nearly pee with laughter. Here I thought "Oh I have made a really cool piece of art." and that it would be treated with a sense of reverence because it's personal and therefore special. Guess again! That's my Gram-shake it, break it and hang it on a wall! 

Some days it ain't easy being an artist!

Thursday, July 28, 2011

Buried Treasure: An Altered Page Collaborative


Seth Apter is at it again! Today he's invited bloggers to join him in reposting Buried Treasure in the form of favourite posts from our blog archives. I have to tell you that it was no mean feat to come up with content for today-I've been blogging for 7 years and had almost 1300 posts to sift through! It took me an entire week, but I've chosen a couple that I hope you'll enjoy. (Again, if you've followed my blog all this time or now if you missed them the first time.)

It's been interesting combing through 7 years of my life. This blog has really become a snapshot in time of my artistic life. It was interesting to read back through it. I actually gained alot of insight about how I've evolved as an artist.

Anyway, here are the two posts I decided to re-share. To discover more buried treasure, click here to see the lists of participating artists on Seth's blog.

*****
Where I Am From
May 5, 2006 

After seeing this post by Amy Powers of Inspire Co., I thought I'd do the "Where I'm From" poetry exercise/meme, using a poem written by George Ella Lyons called "Where I'm From," as a model. Enjoy!



Where I Am From



I am from summers spent throwing stones

into the muddy Red River,

Just to hear them go ker-plunk.

I am from bicycles with banana seats and baskets

And shrill little bells that we rang just because.



I am from hours spent playing at the bear pit

Trying to master walking the high arched wall.

I am from peeling sunburns and mosquito bites,

from tether ball and hopscotch at recess.



I am from Shrine Circuses

and men with fezes riding tiny motorcycles.

I am from watching the Bombers wrapped in blankets

with a windchill factor of -20.



I am from perogies and kolbassa for breakfast,

From the Red River Ex, Folkarama

and The Museum of Man and Nature.

I am from driving 3 hours to swim at Birds Hill

And paying 5 cents for Strawberry marshmallows.



I am from jellied salads and Pick-a-pop,

from the Golden Boy and speaking French,

From Uncle Bob and Marvin the mouse,

and "Beefs & Bouquets" on the radio weekly.



I am from watching spring break up on the Assinaboine

from playing from sun up to sundown,

From trips to Dutch Maid and Bonnie Bell lip gloss,

from scraped knees and stealing crab apples of neighbourhood trees.



I am from growing up in daycare listening to Queen,

from seeing Star Wars when no one knew what it was yet,

from Holly Hobby and Little House on the Prairie

and making god's eyes from yarn and popsicle sticks.



I am from onion topped churches with funny crosses,

from riding buses and being cold to the bone.

I am from the ear shattering sound of winter silence

from disco, polyester turtlenecks and wool hair ties.



I am from lilacs and boulevards,

From knowing my neighbours and

considering them family.

I am from belonging to friends

*****


The Work of My Hands
January 19, 2011

 Today I decided to focus my camera on my hands. My hands have become a big issue in my life because 3 years ago, I lost all the feeling in my hands. It was caused by the damage MS did to my spinal cord. I can now only sense hot, cold and pain and those sensations are blown way out of proportion. (A paper cut feels like I've chopped a finger off, touching something cold or hot hurts.)


 When I first lost the feeling in my hands, it was pretty scary. I was in the process of being diagnosed and so I didn't tell anyone, other than my close friends and family. It took a long time for my brain to adjust. I had to relearn how to do everything you do with your hands, on my own. It was very trying, struggling with even the simplest of tasks. I got frustrated alot and many times I thought I'd have to stop making art, the thought of which was just soul crushing.

If you put on a pair of oven mitts and then spend even an hour trying to go about your normal day, you'd have a small glimpse into what it feels like to live with no feeling in your hands. Try buttoning something or zipping a zipper, brushing your teeth or tying your shoe. Not so simple now, is it?

I feel a sense of awe at how the body trouble shoots the things it can't heal. After about a year, with alot of hard work and persistence, I managed to regain understanding between my brain and my hands. The communication between them is not the same anymore-instead of using a cellphone, they are using two tin cans and a string, but it works. It means I can sit here and type this post. It means I can make art. It might take me a little longer-somethings are still challenging, but I still get the job done.

When I think about my hands, I can't help but think of my Gramps. He suffered multiple strokes over my lifetime. He was a gifted carpenter and cabinet maker. He worked with his hands his whole life, even when he too was robbed of the feeling from neurological damage from the strokes and the effects of diabetes. I think about how hard it was for him and he never complained-he just quietly went about his business. He taught me everything  about resilience, grace and courage.

So that is why I have turned the lense towards my hands today. I wanted to honour how they serve me and in turn serve others in my life. They are powerful tools. The work they do is sacred and vital and I look at them with awe and respect.