Hello again! I am back. I've taken a good chunk of 2017 off due to illness and most recently the loss of someone very dear to me. Today seemed like a good day to jump back in and share a new project with you.
Back in late May/early June, Tal Fitzpatrick & Stephanie Dunlap put a call out for an international collaborative craftivism project aimed at highlighting the Universal Declaration of Human Rights and bringing awareness to the ways in which it is being violated around the world today.
I knew immediately I wanted to participate in this endeavour. It's not the first time I have taken up needle and thread and created something to share with the world like this. 15 years ago, I participated in the United in Memory Quilt Project to memorialise those lost on 9/11 and it changed my life.
It took me about 3 weeks to complete my block for the UDHR project. I knew it would be challenging stitching with hands I can't feel (imagine stitching with a pair of oven mitts on and you'll have some idea what it's like) but I didn't realise the impact my vision would also have. Let's just say this piece is likely my last stitchery project and given the level of difficulty, a true labour of love.
I chose to work on Article 25. This is how it reads:
(1) Everyone has the right to a standard of living adequate for the health and well-being of themself and of their family, including food, clothing, housing and medical care and necessary social services, and the right to security in the event of unemployment, sickness, disability, widowhood, old age or other lack of livelihood in circumstances beyond their control.
(2) Motherhood and childhood are entitled to special care and assistance. All children, whether born in or out of wedlock, shall enjoy the same social protection.
(1) Everyone has the right to a standard of living adequate for the health and well-being of themself and of their family, including food, clothing, housing and medical care and necessary social services, and the right to security in the event of unemployment, sickness, disability, widowhood, old age or other lack of livelihood in circumstances beyond their control.
*Note: On my block, part 2 of the article is in French to reflect Canada's two official languages. The text reads as follows: "La maternité et l'enfance
ont droit à une aide et à une assistance spéciales. Tous les enfants, qu'ils
soient nés dans le mariage ou hors mariage, jouissent de la même protection
sociale."
This is the story behind my block, which will help you to understand why I chose Article 25 and the inspiration behind the design.
"Like all Canadians, with the exception of the First Nations
People of our country, I am descended from immigrants. My people came to this
country I imagine, for a better life for themselves and their children. As I
read the words of Article 25, I couldn’t help but think of my great
grandfather, Einar Nowell and his life-long struggle with his health, which in
turn led to struggling to support his family.
Grandpa Nowell was a baker by trade. He worked for the
Pauline Chambers Company, one of Winnipeg’s largest suppliers of baked goods.
Unfortunately, over time, he developed a severe allergy to wheat. The more he
worked, the sicker he became until he had to stop working. This left him with no
means to support his wife and 6 children, save for going on what was then
referred to as “relief”, which is now known as public assistance or welfare.
After being away from the allergy inducing environment of the bakery for a few
months, he would start to recover. Once he was well enough, he would return to
work until he became too ill from his allergy to continue and the cycle would
start all over again.
My grandmother, who was the
eldest child told me stories about how desperately poor her family was. A small
can of Libby’s spaghetti was expected to feed her entire family of 8. When she
was in school, her lunch consisted of a lard sandwich-which is exactly what it
sounds like-two pieces of bread with lard slathered on it. Once I asked her
what presents she got for Xmas growing up. The only gift she ever remembers
getting was a pencil and a hanky.
Eventually it became
impossible for Grandpa Nowell to continue on at the bakery. Around this time,
the government was giving farm land to people who were on relief, with the idea
that they could work the land and provide for their families. Grandpa Nowell
moved the family to Anola, Manitoba, 24 km east of Winnipeg. He worked the farm
for years. When my grandmother was 17, she moved to Winnipeg for a job at the
grain exchange and sent most of money she earned home to her parents help support
the family.
On the morning of Feb 15,
1971, Grandpa Nowell told Granny that he had a feeling that the kids were going
to come home that day, so he was going to go plow the drive to clear
the snow. About an hour after he’d gone out, Granny looked out the window and
saw him leaning over on the tractor. She went to see what was wrong and
discovered he’d died of a heart attack. His premonition turned out to be correct;
his children did come home that day. He left this world 5 weeks before I came
into it, missing the birth of his first great grandchild whom he was so excited
to meet. I am named in memory of him.
The artwork on my block is
in honour of Great Grandpa Nowell. The photograph is of him and my Great Granny
and four of their six children.( My Grandmother, Verna is the tallest one in the
middle of the back row.) The button is for my Great Granny, who was a
seamstress and the piece of measuring tape is from the 1940’s and belonged to
my Grandmother Verna. The scrap of paper underneath the photo reads in part
“removes of ill-health”, which I thought was fitting. The house is made from a
scrap of cardboard, to represent poverty.
In many countries around
the world, there is absolutely NO social safety net and for those that do have
one, it’s often woefully inadequate. The simple truth is that poverty kills and
no country is immune."
***
***
There are going to be 4 quilts, each containing all 30 of the Articles. Each block has been designed and created by one of 120+ artists from over 23 countries around the globe who have a story to tell. This is mine.
It's been very comforting, especially given the current political climate to know that there are so many artists who care about what's happening in the world and are doing what they do best to help raise awareness and bring healing. I am especially touched by my fellow artists who live with chronic illness and disability who are participating. There is strength in numbers and I feel the love and solidarity in everyone's work. I know the completed quilts will be incredible.
To learn more about the UDHR Quilt Project, please visit Tal Fitzpartick's website here. You can see many of the blocks in progress and also those that have been completed on Instagram by searching #UDHRquiltproject & #UDHRquilt
.jpg)
.jpg)
.jpg)
